

Technically demanding material in this book, there are several items that are extremely Performing art, is commonplace in magic." That sort of thinking, which would be considered ludicrous in any other Other composition, not because of any musical flaw, but simply because it's difficult to Imagine if, in the field of classical music, someone were to disparage a sonata or To pass that great trick by, he should recognize that the failing lies with him, not with the Magician comes across a great trick that is beyond his technical capabilities and he has Ortiz, in an interesting take on these issues, posits that "if. Performers who assume all you need is a thumbtip and an invisible deck to entertain a Magic which involves advanced skill is only for magicians is just as misguided as This issue is addressed in both Paul Gertner's introduction toĬardshark, and in the author's own foreword. Ortiz's work because of the often extreme technical demands Magicians in the world, but because of their distinctively manic and entertaining styles. Tamariz or David Williamson-whom I cite here not because they are the only great

His success is simple testimony to the effectiveness of his approach. Their strengths and minimize their weaknesses. Requirement for any commercially successful entertainer is to maximize and exploit

But it is neverĪn easy matter to succeed as a full-time professional in show business, and a key

He is also an author of no little significance he has written twoīooks for the public, concerning con games and gambling respectively, two invaluableīooks on magic- The Annotated Erdnase and Darwin Ortiz at the Card Table- andġ994's controversial book about performance theory, Strong Magic (reviewed in Genii , The handful of the most visible exponents of gambling expertise and demonstrations on Ortiz has established himself as being among Successful full-time closeup magician, Mr. Most readers of this column will be familiar with the name and work of Darwin Ortiz. Reviewed by Jamy Ian Swiss (originally published in Genii December, 1995)
